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One of the goals in this class is to help you understand and articulate
more precisely why it is that you can be so moved, gratified, challenged,
or frustrated by a particular writer. The task of covering the incredibly
broad scope of "fiction" is a very difficult one, and you'll
notice that the course focuses heavily on twentieth-century American authors.
A slightly narrower focus allows us to see the trends and developments
in style and substance through the course of a single century and, the
truth is, it still can't do justice to the wide array of literary voices
that have emerged over time. And yet, it will give us a good starting
point.
The course itself will be divided into nine individual units as follows:
- Introductions and the Development of Voice (Lesson 1)
- Pioneers of the Short Story (Lesson 2)
- Modernism (Lesson 3)
- Black Male Experience and Feminism (Lesson 4)
- Postmodernism and Toni Morrison's Beloved (Lesson 5)
- Minimalism and Raymond Carver (Lesson 6)
- Cross-cultural Experience (Lesson 7)
- Contemporary Literature (Lesson 8)
- Final Exam Preparation (Lesson 9)
Several of these authors, like Chekhov, Hemingway, and Carver, seem at first glance to tell rather simple stories, so you'll need to work very
hard to read intensively and truly cull out the important images, themes,
and styles that emerge only on closer inspection. Toni Morrison, on the
other hand, may seem nearly impenetrable at first. Just keep reading carefully
and closely—once you grow accustomed to her beautiful language, you'll
follow the narrative without any trouble. The lesson plans will prepare
you for each work so you can know ahead of time what to expect.
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Texts can be purchased from Friday Center Books & Gifts at The Friday
Center either online or by printing out a book order form.
Several works are also available online although in different editions.
These are the required texts to purchase:
- The Story and Its Writer, edited by Ann Charters (7th edition, 2007)
- Where I'm Calling From by Raymond Carver
- Monkeys by Susan Minot
- Beloved by Toni Morrison.
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You are required to read two novels (Toni Morrison's Beloved and Susan Minot's Monkeys), one short-story collection (Raymond Carver's Where I'm Calling
From), and selected short stories to be assigned from an anthology
called the The Story and Its Writer. In addition, you must read
all of the online lessons, contribute at least three times a week to the discussion
forums, submit all paper assignments on time, and take a final exam.
In the Lesson Schedule you will find a detailed
list of the nine lessons that will be offered this semester. Each lesson
includes introductory material, relevant links, questions for the discussion
forum, and a writing assignment that will be submitted via e-mail. You
must read every lesson, explore every link, post to the discussion forum
every week, and submit writing assignments on schedule. The writing assignments
vary in length, but they tend to get longer as the semester goes on, so
be sure to schedule in a bit more time at the end of the semester for
these.
The assignments are explained in detail in each lesson. Please e-mail
your papers as attachments in Microsoft Word document format (.doc), not
simply as text pasted into the body of an e-mail message. Papers must
be in my inbox by midnight on the day they're due.
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In this class, we will use an electronic discussion forum to discuss
the works we'll study during the term. You can use the forum to post comments
and/or questions, read the comments of other students, post responses,
and read comments from me. Plan to visit the discussion forum several
times a week; you are required to post a minimum of three times a week (note, not 3 times a lesson).
If everyone contributes regularly to the discussion forum, we will have
a great class!
I expect a wide variety of responses on the discussion forum, because
the pleasure of reading and interpreting comes from the interesting debates,
not an adherence to the "standard" (and often "old hat")
readings. Don't be afraid to put forward a bold or unusual idea—those
are often the most worthwhile!
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- Introductions and the development of voice (one page)
- Modernism: response paper (two pages)
- Toni Morrison's Beloved: analysis of a single detail from the novel (four pages)
- Raymond Carver's Where I'm Calling From: analysis of minimalist element in a short story (three pages)
- Susan Minot's Monkeys: close analysis (three pages)
Please study the worksheet entitled Questions
for Reviewing a Draft. It offers a detailed list of questions that
will help you (a) conduct a thorough revision before handing in an assignment
and (b) understand the criteria I use to evaluate writing assignments.
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Your grade for the course will be determined as follows:
- Papers: 50 percent
- Class participation (via discussion forums): 30 percent
- Final exam: 20 percent
For the final exam, you will be responsible for all assigned readings, including the biographical information of the authors, all introductory and supplementary materials, all materials from assigned Web sites, and the discussion forums.
I will e-mail the exam to you a few minutes before 7:30 pm and you will have until 9:30 pm to complete it and e-mail your response to me.
The exam will consist of essay questions. More details will be given in Lesson 9, and through the discussion forum as we get nearer to the final exam period.
Remember that as a student of UNC-Chapel Hill, you are bound by the University's
Honor Code: "It shall be the responsibility
of every student at The University of North Carolina at Chapel Hill to
obey and support the enforcement of the Honor Code, which prohibits lying,
cheating, or stealing when these actions involve academic processes or
University students or academic personnel acting in an official capacity."
This code applies to all lesson assignments, discussion forum postings,
and to the final exam.
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We will follow
the regular UNC calendar. You are not expected to participate in class
during major holidays (including school breaks).
This schedule gives us about fourteen weeks. For each "week"
in the course pages, you should log on at least three times and spend
the equivalent of nine hours of "outside" study time in addition
to reading time. This timetable is only a guideline, not a rule, designed
to help you judge your involvement in class.
The Lesson Schedule list includes the starting
dates for each text (finish the assigned readings in time to start discussion;
ideally you will have finished the reading no later than the end of the
first week of each lesson). You can link from the Lesson Schedule
to any lesson in the course.
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Course Mechanics
Blackboard
Some of your class components (discussion forums, exams, and announcements) are accessed through a software package called Blackboard, and you will need to log in to Blackboard using a unique identifier known as your UNC Onyen (Only Name You'll Ever Need) and Onyen password.
There is a link to the Blackboard site in the gray navigation bar at the top of every page in this course. Click on that link, and then use your Onyen to log in to Blackboard. Click on the "ENGL 123" link, and you will see navigation buttons on the left side of the screen labeled Announcements, Discussion Forum, and so on.
If you experience problems accessing Blackboard, this is what you
should do:
- If you do not already have a UNC Onyen, go to the Onyen
Web site and follow the instructions for creating an Onyen.
- If you have an Onyen but have forgotten it (or the password),
you will find help on go to the Onyen
Web site.
- If you have your Onyen but can't log in to Blackboard, contact Janice
Durham at the Friday Center.
- If you can log in to Blackboard but can't find this course listed,
contact Janice Durham at
the Friday Center.
- If you can't locate an exam or discussion forum in Blackboard,
contact the Instructional Designer.
- If you have technical problems while using Blackboard, contact
Blackboard Help (use the Help button in Blackboard, or call 919-962-HELP).
Library Services and E-reserves
Students enrolled in Carolina Courses Online can access online library
resources from the UNC Library System by linking to Library
Services for Distance Education Students. This site includes information
on using general online reference works as well as accessing e-reserves.
If you are using an off-campus computer, you will need to consult this
page for instructions on how to access the resources. The UNC library
staff is available to assist any students who have difficulties accessing
online library resources.
E-mail
All communication from your instructor will go to your UNC Onyen e-mail
address (the one that appears when you post to the discussion forum).
Off-campus users can access their UNC e-mail using Webmail.
You can have your e-mail forwarded to a different e-mail address by
clicking “Forward e-mail” at the Onyen
Web site.
If you use a filter on your e-mail account, you are responsible for ensuring
that it does not prevent you from receiving messages from me, the course listserv,
or Friday Center staff. Hotmail users should be aware that Hotmail will block
messages sent from within Blackboard because Blackboard uses “blind carbon
copy” to protect privacy. We recommend that you use your UNC Onyen e-mail account
rather than forwarding to Hotmail for this course.
Submitting Assignments
It is extremely important for you to save copies of any work you send to me via e-mail. If I don't receive your work, you must have a duplicate copy, indicating the date sent, to prove that you submitted the assignment on time. It is your responsibility to maintain copies of your sent e-mails, as there is no way to guarantee that any e-mail message will be delivered.
Please check your e-mail software to see how it manages sent and saved messages. Some software automatically deletes messages one month after they have been sent; others only save messages if they are filed in folders; others save messages received but not those sent. You may need to send yourself a copy of your e-mailed assignment at the same time you send it to your instructor, or you may need to print a copy of the e-mail message and any attachments to keep in your paper files. No matter how your system works, make sure you know how to save a copy of all work that you submit to your instructor and that you save the copy for several months beyond the end of the course.
Other Questions
Contact your instructor with questions regarding the content of the course and your progress. There is an e-mail link to your instructor at the top of every lesson page. Please include "CCO ENGL 123" in the subject line of your e-mail.
Contact the Instructional Designer at the Friday Center about problems with this Web site, including bad links.
If you have any logistical questions as you work through the course (enrollment, Onyen, credits, withdrawal, and so on), contact the Student Services staff at the Friday Center for Continuing Education (phone 919-962-1134 or 800-862-5669).
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Lesson 1: Introductions
and the Development of Voice
- Using the Discussion Forum
- Writing assignment—defining voice and style
- Introduce yourself via the discussion forum
- Respond to others' posts on the discussion forum
- Send an e-mail to the instructor.
Lesson 2: Pioneers of the Short Story
- Anton Chekhov
- Nikolai Gogol
- Guy de Maupassant
Lesson 3: Modernism
- What is Modernism?
- Ernest Hemingway
- F. Scott Fitzgerald
- John Steinbeck
- Edith Wharton
- Writing assignment—response paper
Lesson 4: Black Male Experience and Feminism
- Race and Gender in Twentieth-century Literature
- Ralph Ellison
- James Baldwin
- Charlotte Perkins Gilman
- Tillie Olsen
- Alice Walker
Lesson 5: Postmodernism and Toni Morrison's Beloved
- Introdution to postmodernism
- Introduction to Beloved
- Slave Narratives and Documenting the American South
- Analysis of Characters
- Discussion Questions
- Writing assignment—tracking a single detail
Lesson 6: Minimalism and Raymond Carver
- Raymond Carver and Minimalism
- Edward Hopper's Paintings
- Discussion Questions
- Writing assignment—the magnification of a detail
Lesson 7: Cross-cultural Experience
- Opening the Literary Canon
- Sandra Cisneros
- Jamaica Kincaid
- Amy Tan
Lesson 8: Contemporary Literature
- Susan Minot
- Writing assignment—close analysis
Lesson 9: Final Exam Preparation
Final Exam
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Lesson 1
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